On connecting the dots

It is always so helpful to get a good shove in the right direction. I am grateful to have received one in the form of a Creation Grant from ArtsNB. Though I am always a little shy with projects at this stage (before I can point to an object and say “Look there! That is what I mean!”), I would nonetheless like to share my proposal with you. It will give you an idea of where I am coming from as this project unfolds, beginning in October. I hope you will be as excited as I am to get started!

Black-eyed Susan

Connectome

Standing at any point in a room, we receive light from all around. It converges in our minds and informs us of the world outside. But we are also reflecting light. At a point two feet away, our image is found there with all the others. This fact speaks of connection. We perceive ourselves as contained systems, but in real, physical ways, we are blended with the outside world.

To date, my work has focused largely on pairing technology (us) with nature (outside) to make the connections apparent. I am finding this approach too subtle. This new body of work will show the connective tissue, the ripples of light, between the subjects. To understand the imagery I will be working with, envision the following:

“Thus every body placed in the light spreads out in circles and fills the surrounding space with infinite likenesses of itself and appears all in all in every part.”  – Leonardo da Vinci

I will construct the rippled compositions by digitally blending and repeating photographs. From these designs will grow nine low-relief works, twelve square feet and up, with some taller than a person. They will be exhibited as a labyrinth of freestanding panels whose adjoining imagery brings to mind a single continuous work. Four months of consistent practice will see them finished and provide a jumping off point to complex sculpture in the same vein.

This project will explore a variety of textile-infused techniques. I have been evolving a silk quilt process which makes use of hand-painted and digitally printed cloth. The ripple concept also lends itself to scaled-up tapestry, woven using large tubes of printed photograph. Several of these works will have a person-shaped hole or reflective surface in the center, immersing the viewer in the rippled connectome. Every aspect of this project is built to amplify the sense of connection to the world outside.

Garden Person

Nesting

Insect Lifecycle Sculptures_1_1

Nesting
Felt, reed, river stones, fibrefill, lightbulbs, Marimo moss, water.
24″ x 24″ x 30″ © Allison Green 2013.

The fourth piece in the Time Flies Collection, this is the insect with child. Her pregnant form contains eggs filled with a spark of life.

See how it was constructed, and the other items in the series: Nascent, Nymph, and Nubile.
Exhibited with Foundation at the Saint John Arts Centre, Saint John, NB.
Pricing available upon request.

StonePlantTextile Process 3 010 Insect Lifecycle Sculptures_2_1

Sphaira

I’ve spent this long weekend consumed with light fixture construction for Jeremiah’s Restaurant. I figured it was an appropriate time to take you on a little walk-through, from concept to near-completion.

This all started a couple months back with a contest. There’s a new restaurant opening in Hartland, NB (home of the world’s longest covered bridge). The owners approached the college looking to have a competition to create a feature light. My teacher signed us up and we all got to work designing our individual lights.

It was a great spot to design for. An old church, with a large recess in the ceiling, measuring 9′ x 9′. So much potential. I came up with this design which I presented to them along with the rest of my classmates.

(For your interest: In Greek mythology, Zeus was gifted with a Sphaira, or sphere, which when thrown in the air played dancing lights over the entire sky.)

A week  and much anticipation later, they deliver the verdict. They chose my design and so I was given the prize and budget to construct the piece. I immediately started ordering reed, buying up dye, salt, all the necessities.

The dyeing was the first challenge as it wanted to turn either red or green, not the rich browns I had selected. It turned out to be all a matter of salt content. Many kgs of salt later, I achieved the perfect colourway.

The next step was to weave the spheres.  Random weave is a beautiful, undulating technique. You take a piece of reed and make a couple of rings with it, which you hold in place with wire. Then you take more reed and weave over under, over under, over under. You get nice curls and added strength by doubling back on yourself. It sounds simple but it really is.

I anticipated needing about one hundred, but as it turned out I needed only sixty-one. With a lot of help from Warren, my Mom,  and some fellow students I was able to complete that phase on Thursday. Phew!

I also needed a single sphere with a 2′ diameter for the entryway of the restaurant. I think I will make one of these for myself as well : ) And wouldn`t they make neat bird/squirrel houses?

On to construction! I first built a ring on the floor, about 5′ diameter at its widest. Then I worked up into a half sphere, using a lamp-post for stability.

Then I flipped it over.

And worked the other half.

I finished it off with a little hole at the top for the globe to fit through, then flipped it back over to tidy up loose reed and cover any large holes. I left that big sphere at the front detachable so the lightbulb can be changed.

So today if the rain holds off for long enough I am going to take it to school and spray it with lacquer. Then it will just be a matter of testing out the light fixture that will hang inside.

I couldn’t be more pleased. It was originally supposed to be more spherical, but just by the nature of the material and variety of ball sizes, it ended up a little squatty on the top side. As it turns out this means I can get it out the door and won’t have to split it in half for transport, which I was a little concerned with. It works on the premise that each ball holds the one next to it, so if I cut it in half it might settle out of shape.

Just check out those shadows! I expect the piece will be picked up in a week or so, so I’d better get to school and take care of those finishing touches!