What a mouse has to do with visualizing space.

I find it hard to visualize three-dimensional space. When designing quilts, and other 2D creations, I rely heavily on digital software to help me see what is coming next. This allows me to easily test out composition and colour scheme before I start working in cloth. Without a similar aid, I felt at a bit of a deficit when I began working in sculpture.

Over the past term I’ve been dealing with this issue. I’ve just finished a course in 3D printing, which has taught me how to use digital modelling software, mainly Lightwave. I was amazed how easily you can place a sketch into the program as a backdrop and build out from it. I first tested this theory with a spaceship design my partner had drawn. I love collaboration.

Warren Steeves Spaceship 3D Model - A Green Artist

It really seems to be a matter of getting into the zone and thinking about the screen as an open environment where you are actually manipulating 3D objects. Then you don’t have to worry about remembering sets of rules.

Warren Steeves Spaceship 3D Model Action - A Green Artist

I started applying this to sculptures I was planning almost right away. The following three will be created in cloth and plant over the next month.

Tree Sculpture -  A Green Artist Tree Shelving Sculpture 3D Model Full -  A Green Artist

I’ve found it really helpful to be able to tweak composition ahead of time, and see it from all angles. I am interested to see what impact this has on the finished creations.

Fungal Islands A Green Artist Fungal Islands 3D Model Bright - A Green Artist

We learned a little animation too, and though I don’t find it as applicable to my work, I can see definite possibilities for working out kinetic sculpture, internal and external lighting, and design proposals.

The funnest part is that I got to 3D print one of my objects! I can’t really describe what it is like to build something in the computer, and then have it in your hand. The difference between working digitally or in reality seems almost negligible.

Lily Centerpiece A Green Artist Waterlily Centerpiece Cutaway - A Green ArtistWaterlily Centerpiece Cutaway 3D Print Sculpture - A Green Artist

 

Time Flies

The beginning of November marked the opening of “Foundation”, a show I am taking part in at the Saint John Arts Centre. Our special group comes together as a result of shared experience, the Sculpture Saint John symposium of 2012. We spent six weeks with six international artists, constructing six granite sculptures. We lived together and worked together and learned to communicate together. It was the most immersive experience I’ve come across.

That summer set me off on a mission to unite my chosen medium of textile, with my new-found love of stone, with my ever-growing passion for plants. From a personal standpoint, these three mediums activate different sides of my self. Textile for flexibility and colour, stone for strength and endurance, plants for energy and nurturing. I think of them as my prescription for well-roundedness.

From a conceptual standpoint, they make even more sense. Stone. The unyielding machinery which drives our planet. Plants. Lush and pulsing, they hold the very present moment. Textile. Almost impossible malleable, cloth is what makes us human. By combining these three primal disciplines I will evoke the kinship between man and biosphere.

I have begun through exploration, testing different ways of uniting these three. See below the initial designs, collectively entitled “Time Flies”. The final piece, “Necros”, is still in progress. In the coming days I will take you through the huge learning process of creating the first four. You can see the finished works at the historic Saint John Arts Centre until January 10th.

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