Nymph.

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I have to say this one is my favourite. It went along swimmingly at every stage. My first step was to draw the dress design, then create a life-size paper mock-up. You can see them side by side:

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The next step was to make this into a pattern. I chopped up the mock-up and recreated it with layers of cotton and interfacing.

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But I didn’t use just any cotton. These patterns I digitally designed using close-up scans of leaves. The day they arrived from Spoonflower and I opened up the package: magical.

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The next piece in the collection is Nymph, the juvenile insect. It is very closely inspired by the stunning patterns of the dragonfly larva, as seen in the charming book “Zoom in on Nature”:

Each piece of the carapace is separate and self-contained, so that they overlap like armour. Once they were all machine stitched into plates I pinned them on the dressform using my meticulous photo-records:

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I hand sewed them all to each other. It was at this point I realized two things: I am really glad I didn’t make this out of stiffer cloth, and I really really need to buy a thimble. Stabbed fingers aside, I love the control of hand sewing, and it went along a lot quicker than I had imagined. I wouldn’t begin to know how to accomplish this on a machine.

If you didn’t get to see this lovely lady in Saint John, she will be making an appearance in Fredericton! I have the luck of taking part in the bi-annual show for the Textile Dept. at the NB College of Craft and Design. A lot of really incredible designers come out of there every year, you don’t want to miss it. Check out the last one if you don’t believe me!

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See you at the opening in The Gallery at NBCCD tomorrow evening (Feb 6) at 4:30 – 6pm.

Nascent.

Moving back in time now to my last exhibition, “Foundation” at the Saint John Arts Centre. It was so exciting to share space again with the interns I spent so much time with at Sculpture Saint John. They had a lot of excellent work. One lovely artist, Alison Gayton, brought sculptures she created on a learning vacation Italy. You can check out the amazing story over at I Love Saint John Pottery.Others Foundation Panorama_2

As promised, I’d like to take you through the story of my work in the show. I am intrigued by lifecycles. I think it’s incredible the commonalities between different organisms when you really get looking close. These works explore the insect lifecycle, as it relates to us. You can read more about the concept in this post.Panorama in Situ my side_2

The first piece is Nascent, inspired by insect eggs. The idea came to me staring up at a tree in Odell Park one night. In the dark each leaf cluster looked like a cluster of eggs.
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It started with a tree, and then went horribly awry.
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As you can see, the bowl shattered under the weight. But it was a good thing after all because then I found this bowl:
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But then, of course, my tree died. I was sad, I get attached. That is okay too though, as I still had a canopy of my own to add:
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My teacher commented that the geometric shapes give it a logical, human element, and I like that. Without the leaves the form became simplified, and the more I look at it, the more I am happy about that too.
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Seven thousand one hundred and eleven.

Here is the complete Consume collection. This project was made up of thousands of repeated actions, verging on the compulsive, much like addiction itself.

Thank you to everyone who came out on a cold evening to share the opening! It was so interesting to see each person interact with the work, each relating more strongly to a different piece.

Because a photo can only say so much, you have one month to make it down to the lovely Charlotte Street Arts Centre. I’d love to hear your own response to the work. Please respect the brave individuals pictured here; if you recognize a face, don’t share their name.

Consume

This Friday will mark the opening of my first solo show, CONSUME, at the Charlotte Street Arts Centre in Fredericton. It is a portrait series discussing the power of addiction to usurp identity. This subject is very personal to me, and I suspect to everyone.

This project, though serious in nature, was a fun experiment in material usage, and I learned a ton. The repetition of motion was quite meditative and gave me a chance to reflect on the premise. Here are some examples of the many materials used, to give you a tiny taste of what you might see at the show!

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Interest piqued? Stop in 5:30 – 7:00 on Friday to see the work, enjoy drinks and snacks and conversation. For more info see the Facebook event, or the article in the Here magazine tomorrow!

Thank you to everyone who participated in this show; those who supported this work and its exhibition; those who have expressed their interest and perspectives on addiction; and those who bravely agreed to lend their face.

Time Flies

The beginning of November marked the opening of “Foundation”, a show I am taking part in at the Saint John Arts Centre. Our special group comes together as a result of shared experience, the Sculpture Saint John symposium of 2012. We spent six weeks with six international artists, constructing six granite sculptures. We lived together and worked together and learned to communicate together. It was the most immersive experience I’ve come across.

That summer set me off on a mission to unite my chosen medium of textile, with my new-found love of stone, with my ever-growing passion for plants. From a personal standpoint, these three mediums activate different sides of my self. Textile for flexibility and colour, stone for strength and endurance, plants for energy and nurturing. I think of them as my prescription for well-roundedness.

From a conceptual standpoint, they make even more sense. Stone. The unyielding machinery which drives our planet. Plants. Lush and pulsing, they hold the very present moment. Textile. Almost impossible malleable, cloth is what makes us human. By combining these three primal disciplines I will evoke the kinship between man and biosphere.

I have begun through exploration, testing different ways of uniting these three. See below the initial designs, collectively entitled “Time Flies”. The final piece, “Necros”, is still in progress. In the coming days I will take you through the huge learning process of creating the first four. You can see the finished works at the historic Saint John Arts Centre until January 10th.

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Nymph

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Nymph
Original digitally printed cotton from leaf photographs, cotton, corduroy, interfacing, reed.
Size small dress © Allison Green 2013.

The second piece in the Time Flies Collection, this dress shows the burgeoning juvenile insect. It is designed after the dragonfly nymph.

See how it was constructed, and the other items in the series: Nascent, Nubile, and Nesting.
Exhibited with Foundation at the Saint John Arts Centre, Saint John, NB.
Pricing available upon request.

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Nubile

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Nubile
Silk face and backing, cotton interior and thread. Sealed leaves, tree seeds, stone, and wool.
40″ x 8″ x 30″ © Allison Green 2013.

The third piece in the Time Flies Collection, this shows the adult insect is in full flight toward the viewer. It also takes the form of a gaze of awareness.

See how it was constructed, and the other items in the series: Nascent, Nymph, and Nesting.
Exhibited with Foundation at the Saint John Arts Centre, Saint John, NB.
Pricing available upon request.

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Nesting

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Nesting
Felt, reed, river stones, fibrefill, lightbulbs, Marimo moss, water.
24″ x 24″ x 30″ © Allison Green 2013.

The fourth piece in the Time Flies Collection, this is the insect with child. Her pregnant form contains eggs filled with a spark of life.

See how it was constructed, and the other items in the series: Nascent, Nymph, and Nubile.
Exhibited with Foundation at the Saint John Arts Centre, Saint John, NB.
Pricing available upon request.

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