A couple of weeks back I completed a set of thin, elegant quilts. They were an experiment in a number of different techniques, mainly the idea of letting the stitches do the talking. I started out by dyeing my silk with a mottled silvery colour. Using two pictures of a transformer tower taken in uptown Fredericton, I traced the image on with disappearing ink.
I then stitched over the lines, mostly with shades of purple. The plan was to use dense zigzag stitches as a sort of satin stitch for the really heavy lines. After I had started I just didn’t think it would look right on the whole piece. Perhaps in the future when some kind soul gifts me an embroidery machine (hint hint).
Instead I did some experiments in painting after it was quilted. I knew I didn’t want to put anything on there that would run with water or humidity, because that would make the piece a pain to care for. I discovered that black ink with a little textile medium could be gingerly painted on and then be washed without incident. Eureka!
(Look familiar? I used a similar photo for Astral Ink)
One problem I ran into was that the disappearing ink did not want to disappear when dabbed with water. I think the difference is that I usually immerse my silk paintings and soap them up good. I didn’t want to dunk the entire quilt so I just wet it out with a cloth until the blue finally stayed away. Anyone have experience with the kind of marker that goes away with air and time alone?
Some minor tribulations, but I learned a lot and I really like the outcome here. I am especially fond of how the ink looks when painted in stripes one on top of the other (see bottom right). I find it reminiscent of metal.
For simplicity’s sake I tried binding the quilts by rolling the backing over the edge and stitching in place. I actually found it much more difficult than using bias binding from a separate cloth. Because of the way the cloth draws in when quilted, it effectively gathered my backing fabric in certain areas. The effect is nice but it was not the timesaver I was hoping for.
My favourite is the full length Electric Tree on the left because it required almost no ink to get the point across.
Really they are a pair and meant to be consumed as such. I think the up-the-skirt view on the right gains a lot by being partnered. Its content is more obvious by association.
These guys are each 12″ x 24″, and are up for sale through M&T Deli.
Wow, looks fantastic!
Thank you so much!
Very cool Allison!
Thanks!
Is the ink permanent on fabric?
It appears to be, it stayed in when I tried washing it. It’s possible that it would lighten with frequent washings, but for a wall-hanging it is permanent enough. Procion dyes can be painted on though, and are completely permanent.
but you cannot get good black, though, with procion.
That’s true, it always comes out a little purpley for me on the silk. The ink might just do the trick.